The recording was made in the Saxon church of Brand-Erbisdorf, south of Freiberg, which is possessed of a superb baroque organ and a typical 18th century organ gallery in which all the musicians were placed, lending a great deal of authenticity to the recording. For one thing, conductor John Butt seems to understand the dynamic of this somewhat troublesome work better than most other … A brilliant pairing of Bach’s Easter Oratorio and Magnificat, directed by Paul McCreesh and the period experts of the Gabrieli Consort & Players. ArkivMusic - The Source for Classical Music! For the Easter Oratorio, that would be the 1951 recording made by Felix Prohaska, the Vienna Academy Choir and Chamber Orchestra for Vanguard. Bach Recordings. Their upcoming album JS Bach: Easter Oratorio & Ascension Oratorio is eagerly anticipated.. During the recording of Retrospect Ensemble's upcoming album, BBC Music Magazine took time to sit down with … Gardiner bemoans its relative neglect among Bach’s larger choral works. It prevails, with introspective diversions, to the end of the oratorio. It’s performed here with uncommon crispness and a highly charged yet refined energy that drives the music forward with irresistible power. Exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. One hundred and one years ago, the Calvin Oratorio Society made its debut with the first of its now traditional Christmas season performances of Handel's Messiah.. It’s worth owning the disc for the performance of this chorus alone. Bach wrote several cantatas for the Feast of the Ascension (BWV 37, 43, and 128), though none matches the musical scope of the Ascension Oratorio (BWV 11, sometimes referred to as BWV 249a). ©1999 - 2015 Classics Today All Rights Reserved - Website by FirstTracks Marketing. Bach's St. John Passion is the earlier of the two Easter story settings of … Thus, Gardiner’s sequence moves from death through hope to resurrection. All concertos are pure unadulterated awesomeness from start to finish, the sound of the recording, the tempi and dynamics chosen, the spirit, energy, and expressiveness in which these are performed, this is my favorite recorded performance of the Brandenburg concertos and I’ve … When the bel canto revival began in the '50s, it was led by sopranos and (occasionally) mezzos. This is one of them. Discover releases, reviews, track listings, recommendations, and more about Johann Sebastian Bach, Gabrieli Consort & Players*, Paul McCreesh - Magnificat / Easter Oratorio at Discogs. Bach composed it in Leipzig and first performed it on 1 April 1725. The program’s other work isn’t just a bonus, it’s a full-fledged partner to the oratorio. It’s also, like the ever-popular Magnificat, very concise. Karl Münchinger’s recording has been around since 1965 or so, and at first I was tempted to say that we’ve come a long way since then in terms of changing … Complete your Johann Sebastian Bach, Gabrieli Consort & Players*, Paul McCreesh collection. Bach Easter Oratorio & Rossini Stabat Mater. Johann Sebastian Bach is one of the greatest composers of sacred music and in the hands of Joseph Nolan and a stellar cast with WASO, his magnificent Easter Oratorio will take you on an unforgettable divine journey, from a tomb of dark grief to the blazing light of joy.. One of Bach’s earliest Weimar cantatas Ich hatte viel Bekümmernis is performed here in its first Leipzig version. Originally in E flat and composed for Christmas, Bach revised it nine years later and set it in the brighter key of D major. In Bach’s church music, this Easter oratorio is an exceptional work in the sense that the recitatives and arias are sung by four biblical characters, almost like a … Largely cobbled from an earlier secular cantata for a duke’s birthday, the music is some of Bach’s most poignant while being alternately festive and meditative. Actus tragicus, composed for a funeral, has an unusually soft toned instrumentation (recorders, viola da gamba and organ) which make it sound both consoling and full of optimism. Find recording details and track inforamtion for Easter Oratorio (Oster-Oratorium:… - Johann Sebastian Bach on AllMusic [4/14/2000], J.S. The paintings are by Klee, van Gogh, Chagall, Whistler, Jasper Johns, ...  Continue Reading, Bach’s motets are difficult as the dickens but among the most beautiful, uplifting, and refined works of a composer’s output that is positively stacked with beautiful, uplifting, and refined works...  Continue Reading, Stéphan Elmas (1862-1937) was, according the booklet notes accompanying this release, the first Armenian composer of note to write a piano concerto, and although the two works on this disc date from ...  Continue Reading, Idil Biret first recorded Ravel’s Gaspard de la nuit in 1965 for the Vega label, but she did not approve its issue at the time. Largely cobbled from an earlier secular cantata for a duke’s birthday, the music is some of Bach’s most poignant while being … Browse: Bach, J S - Easter Oratorio BWV249 This page lists all recordings of Easter Oratorio BWV249 by Johann Sebastian Bach (1685-1750). Called an “oratorio,” this is, like the Christmas Oratorio , really a cantata-style piece (the Christmas Oratorio is actually a series of six cantatas). Bach’s Easter Oratorio continues to suffer comparative neglect, which is puzzling when you consider that it contains a spectacular opening chorus and one or two of his very best arias. The Easter Oratorio, like many another Bach composition, underwent many metamorphoses. First issued in 1995, this production of Bach’s Easter “oratorium” easily can claim supremacy among several very good alternatives. The Easter Oratorio, like many another Bach composition, underwent many metamorphoses. JS Bach Ich hatte viel Bekümmernis (I had much grief), BWV 21 Oster-Oratorium (Easter Oratorio), BWV 249. This is one of them. Once in while a recording comes along in which the performers, producers, and recording team get everything right. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach’s choral movements. Released ahead of the 2016 holiday season, this recording of Bach's "Christmas Oratorio, BWV 248," entered a field where there was plenty of competition, but the performance by Scotland's historically oriented Dunedin Consort have a great deal to recommend them. The 1 st 3 mvts. This, the second release of the highly anticipated Retrospect Ensemble series, features the Easter Oratorio, one of Bach's best-known oratorios and a monumental work, as well as the Ascension Oratorio. The best estimate for the composition of the Brandenburg Concerti (BWV 1046-1051) lies between 1718 and 1720 or 1721. The opening instrumental movement of the Easter Oratorio, which uses the theme from 'Erschallet, ihr Lieder' of Cantata BWV 172, resounds with jubilant trumpets and timpani, and the Ascension Oratorio begins with a chorus in which choir and orchestra "praise God in His kingdoms" with the splendour worthy of a great prince. The rest consists of arias for soprano, alto, and tenor (one of the most beautiful tenor arias in all of music) and some of Bach’s most skillfully written recitatives. Sound Quality: 8. The performances here are everything you could wish for, with sound that neither giveth nor taketh away, but rather just allows us to hear everything clearly and naturally. Intended for the second day of Easter and also reworked from an original secular cantata, it most likely was performed as an Easter work the same year (1735) as the oratorio. First issued in 1995, this production of Bach’s Easter “oratorium” easily can claim supremacy among several very good alternatives. This recording could well correct the unfortunate situation. Current Top Ten J.S. Bach wrote for a boys' choir accompanied by a comparatively small orchestra of Baroque instruments. This is not a fancy, high-gloss “e-zine,” but rather a simple, straightforward newsletter-style section of our website designed for ease of reading and packing the maximum amount of useful information into each issue. There are only two choruses, the first of which is substantial–and one of Bach’s masterpieces–and there’s an unusual two-movement (fast-slow) orchestral introduction. The most notable diversion, the Adagio, is played masterfully here by oboist Michael Niesemann. Following immediately after the cantata, the joy of resurrection bursts forth in the explosive energy of the oratorio’s opening Sinfonia. John, and recording team get everything right Oratorio ), BWV 21 Oster-Oratorium ( Oratorio... S Easter “ oratorium ” easily can claim supremacy among several very good alternatives, Paul McCreesh collection, Adagio... 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